Eugène Cuvelier; Fontainebleau Forest; early 1860s; salted paper print from glass negative; 19.8 x 25.8 cm; The Metropolitan Museum of Art
Eugène Cuvelier; Pras de la Caverne; early 1860s; salted paper print from paper negative; The Metropolitan Museum of Art
Constant Alexandre Famin; Hotel Jacques Coeur at Bourges; c.1865; albumen print from wet collodion negative; The Cleveland Museum of Art
Eugène Cuvelier; Untitled (Grape Vine); 25.7 x 20 cm; Fine Arts Museums of San Francisco
Eugène Cuvelier; Paysage de la Rivière; c.1860; albumen print; 20.4 x 26 cm; Fine Arts Museum of San Francisco
Eugène Cuvelier; Sables de Macherin (Blocks of Sandstone); c.1860; 19.69 x 26.04 cm; San Francisco Museum of Modern Art
Eugène Cuvelier; Allé aux Vaches (Alley of the Cows); c.1854; albumen print; 20.32 x 26.04 cm; San Francisco Museum of Modern Art
Gustave Le Gray; The Great Wave; 1857; albumen silver print from glass negative; 33.7 x 41.4 cm; The Metropolitan Museum of Art
Gustave Le Gray; An Effect of the Sun, Normandy; c.1856; albumen print from wet collodion negative; The Cleveland Museum of Art
Gustave Le Gray; Brig upon the Water; c.1856; albumen print from collodion-on-glass negative; 31.4 x 40.5 cm; The Detroit Institute of Arts
Gustave Le Gray; Seascape; c.1855; albumen print; 30 x 37.8 cm; George Eastman House, Rochester, NY
Gustave Le Gray; Lighthouse; c.1855; albumen print; 31.1 x 41.7 cm; George Eastman House, Rochester, NY
Gustave Le Gray; Cloudy Sky– The Mediterranean with Mount Agde; 1856-59; albumen print from wet collodion glass plate negative; 31.1 x 39.7 cm; Museum of Fine Arts, Boston
Gustave Le Gray; The Broken Wave; 1856-1859; albumen print from wet collodion negatives; Sterling and Francine Clark Art Institute. Dept. of prints, Drawings and Photographs, Williamstown, MA
Gustave Le Gray; Standing Female Nude; c.1855; albumen print from wet collodion negatives; 29.5 x 21.9 cm; Sterling and Francine Clark Art Institute. Dept. of Prints, Drawings and Photographs, Williamstown, MA
Gustave Le Gray; Road Through the Forest; 19th century
Gustave Le Gray; Beech Tree, Forest of Fontainebleau; c.1856; albumen print from wet collodion negative
Gustave Le Gray; Cavalry Maneuvers, Camp of Chalons; 1857; albumen print from wet collodion on glass negative
Gustave Le Gray; Tree, Forest of Fontainebleau; c.1856; albumen print from wet collodion negative; 31.9 x 41.6 cm
Gustave Le Gray; Road from Chailly to Fontainbleau; 1856
John Beasly Greene; Pyramid, Egypt;1853-54; salted paper print from waxed paper negative; 22.9 x 28.5 cm
John Beasly Greene; Etudes de terrains; c.1854; salt print; 23.18 x 30.16 cm; San Francisco Museum of Modern Art
John Beasly Greene; Fausse Porte; 1855; albumenized salt print; 24.13 x 30.48 cm; San Francisco Museum of Modern Art
Eugène Cuvelier; Fontainebleau Forest; c.1860; salted paper print from paper negative; 25.9 x 19.7 cm; The Metropolitan Museum of Art
Jean-Baptiste-Camille Corot; Fontainbleau: Oak Trees; 1832-33; oil on paper, laid down on wood; 39.7 x 49.5 cm; The Metropolitan Museum of Art
Gustave Le Gray; Oak Tree and Rocks, Forest of Fontainbleau; 1849-52; salted paper print from paper negative; 25.2 x35.7 cm; The Metropolitan Museum of Art
Gustave Le Gray; Tree Study, Forest of Fontainbleau; c.1856; albumen silver print from glass negative; 31.8 x 41.4 cm; The Metropolitan Museum of Art
Paul Cézanne; Melting Snow, Fontainbleau; 1879-80; oil on canvas; 73.5 x 100.7 cm; The Museum of Modern Art
Narcisse Dias de la Peña; The Bathers; c.1848; oil on wood; The Cleveland Museum of Art
Rosa Bonheur; The Farm at the Entrance of the Wood; c.1850s; oil on fabric; 28.4 x 40.3 cm; The Cleveland Museum of Art
Théodore Rousseau; Cottages Near Larchant; oil on wood panel; 13.6 x 17.6cm; The Cleveland Museum of Art
Théodore Caruelle d’Aligny; The Bathers, Souvenir of the Banks of the Anio River at Tivoli; c.1860-61; oil on wood panel; 37.5 x 41 cm; The Cleveland Museum of Art
Camille Flers; Cottage by the River with Washerwoman; 1835; oil on fabric; 29.8 x 46.1 cm; The Cleveland Museum of Art
Théodore Rousseau; Gathering Wood in the Forest of Fontainbleau; c.1850-60; oil on canvas; 54.6 x 65.4 cm; Museum of Fine Arts Boston
Jean Baptiste Camille Corot; The Pond at the Entrance of the Woods; 1860s; oil on fabric; 46 x 61 cm; The Cleveland Museum of Art
Théodore Rousseau; Leaving the Forest, Fontainebleau: Setting Sun; 1851; oil on fabric; 109.1 x 130.2 cm; The Cleveland Museum of Art
Théodore Rousseau; Marshlands; oil on wood panel; 15.9 x 24.6 cm; The Cleveland Museum of Art
Eugène Cuvelier; Fontainebleau Landscape; c.1860; salt print from paper negative; 50.5 x 33.9 cm; Sterling and Francine Clark Art Institute. Dept. of Prints, Drawings and Photographs, Williamstown, MA
Théodore Rousseau; The Large Oak Tree, Forest of Fontainebleau; 1839; oil on paper mounted on canvas; 31.8 x 41.3 cm; Saint Louis Art Museum
Narcisse Diaz de la Peña; The Storm; 1872; oil on panel; 58.7 x 85.7 cm; The Walters Art Museum
Théodore Rousseau; The Oak Tree; oil on paper, mounted on wood panel; 26.4 x 28.6 cm; The Cleveland Museum of Art
Claude Monet; The Bodmer Oak, Fontainebleau Forest; 1865; oil on canvas; 96.2 x 129.2 cm; The Metropolitan Museum of Art
Théodore Rousseau; The Edge of the Woods at Monts-Girard, Fontainebleau Forest; 1854; oil on wood; 80 x 121.9 cm; The Metropolitan Museum of Art
Théodore Rousseau; Group of Oaks at Apremont; 1850-52; oil on canvas; 63.5 x 99.5 cm; Musée du Louvre
Gustave Le Gray; The Forest at Fontainebleau; c.1855; salt print from a wax paper negative; 29.5 x 37.7 cm; Yale University Art Gallery
Aldebert Cuvelier; Forest at Fontainebleau; 1852; salted paper print from wet collodion negative; 16.2 x 14.5 cm
ean-Baptiste-Camille Corot; Le Rageur, Forest of Fontainebleau; c.1830
Alfred Sisley; Rural Guardsman in the Fontainebleau Forest; 1870
Augustin Enfantin; An Artist Painting in the Forest of Fontainebleau; c.1825
Jean-Baptiste-Camille Corot; Clearing in the Forest of Fontainebleau; c. 1830; oil on canvas; Kunsthalle Bremen
Rosa Bonheur; Forest of Fontainebleau- Spring in the Woods; 1860-1865