Andy Goldsworthy; Storm King Wall, wall end; 1997-8; dry stacked stone; Storm King Art Center, Old Pleasant Hill Road, Mountainville, New York
Andy Goldsworthy; Storm King Wall (detail); 1997-8; dry stacked stone; Storm King Art Center, Old Pleasant Hill Road; Mountainville, New York
Andy Goldsworthy; Yorkshire Sculpture Park: Two made in the same place/ sticks and willow herb stalks/ pushed into lake bottom/ shallow…; 1987; sticks, water
Andy Goldsworthy; Storm King Wall (detail); 1997-8; dry stacked stone; Storm King Art Center, Old Pleasant Hill Road, Mountainville, New York
Andy Goldsworthy; Storm King Wall (detail); 1997-8; dry stacked stone; Storm King Art Center, Old Pleasant Hill Road, Mountainville, New York
Andy Goldsworthy; Storm King Wall (view towards lake); 1997-8; Storm King Art Center,Old Pleasant Hill Road, Mountainville, New York
Andy Goldsworthy; Yorkshire Sculpture Park: Dandelions/ newly flowered/ none has yet turned to seed/ undamaged by wind or rain/ a grass verge…; 1987; flowers
Andy Goldsworthy; Yorkshire Sculpture Park: Spring Grass/ fresh green blades/ white stems/ laid around a hole; 1987; grass, soil
Andy Goldsworthy; Yorkshire Sculpture Park: Worked through the night/ clear & freezing to begin with/ banks of clouds drifting over/ became warmer; 1987; ice, lawn, sunlight
Andy Goldsworthy; Yorkshire Sculpture Park: Calm overcast: laid iris places on pond pinned together with thorns, filled five sections; 1987; leaves, berries, water
Andy Goldsworthy; Bright sunny morning/ frozen snow/ cut slab/ scraped snow away with a stick just short of breaking through; 1987; snow; Izumi-Mura, Japan
Andy Goldsworthy; Japanese maple/ leaves stitched together to make a floating chain; the next day it became a hole supported underneath by a woven briar ring; 1987; leaves, water; Ouchiyama-Mura, Japan
Andy Goldsworthy; Japanese maple/ leaves stitched together to make a floating chain/ the next day it became a hole supported underneath by a woven briar ring; 1987; Ouchiyama-Mura, Japan
Andy Goldsworthy; Icicles/ thick ends dipped in snow then water/ held until frozen together…; 1987; ice; Scaur Water, Dumfriesshire
Andy Goldsworthy; Toucing North; 1989; snow; North Pole
Andy Goldsworthy; Slits cut into frozen snow/ stormy/ strong wind/ weather and light rapidly changing; 1988; snow; Blencathra, Cumbria
Andy Goldsworthy; Slate, Stonewood; 1987; Dumfriesshire
Andy Goldsworthy; Plane Leaves; 1988; Castre, France
Andy Goldsworthy; Pebbles Around a Hole; 1987; Kinagashima-Cho, Japan
Andy Goldsworthy; Leaves/ polished, creased/ made in the shadow of the tree from which they fell/ pinned to the ground with thorns; 1989; Le Jardin Massey, Tarbes, France
Andy Goldsworthy; Broken pebbles/ scratched white with another stone; 1985; St. Abbs, The Scottish Borders
Andy Goldsworthy; Bracken; 1988; Borrowdale, Cumbria
Andy Goldsworthy; Fine dry sand/ edges and ridges softened by the breeze; 1989; Arizona
Andy Goldsworthy; Sweet chestnut/ autumn horn; 1986; Penpont, Dumfriesshire
Andy Goldsworthy; Yorkshire Sculpture Park: Rhododendron leaves/ creased to catch the hazy to bright light/ held to the ground with thorns; 1987
Andy Goldsworthy; Scaur Water, Yellow Elm Leaves, Laid Over a Rock, Low Water; 20th century; Dumfriesshire, Scotland
Andy Goldsworthy; The Wall that Went for a Walk (detail with path); 1990; Grizedale Forest Park, Cumbria
Andy Goldsworthy; Sidewinder: Oblique View in Forest; 1985; Grizedale Forest Park, Cumbria
Andy Goldsworthy; The Wall that Went for a Walk (detail of wall and tree); 1990; Grizedale Forest Park, Cumbria
Andy Goldsworthy; Stacked Stone; 1980; Blaenau Ffestiniog, Wales
Andy Goldsworthy; Roof; 2004-5; slate; nine domes, each 5 feet high, 27 feet in diameter; National Gallery of Art (US)
Andy Goldsworthy; Entrance (detail of one element); 1986; 15 feet high
Alec Soth; Photo of Andy Goldsworthy piece in New York, NY; 2004
Alec Soth; USA. Ithaca, New York, Artist Andy Goldsworthy with Icicles; 2004
Alec Soth; USA, Ithaca, New York, Artist Andy Goldsworthy; 2004
Alec Soth; USA, Ithaca, New York, Artist Andy Goldsworthy; 2004
Andy Goldsworthy; Passage – Three Cairns; 2003; Exhibited at Galerie Lelong, Fall 2002- Winter 2003
Andy Goldsworthy; Rivers and Tides; 2000
Andy Goldsworthy; Red Pools; 1995; Exhibited at Galerie Lelong, Winter 1995
Andy Goldsworthy; Red Pools (detail); 1995; Exhibited at Galerie Lelong, Winter 1995
Andy Goldsworthy; New York Cone; 1995; Exhibited at Galerie Lelong, Winter 1995
Andy Goldsworthy; Rivers and Tides; 2000; Exhibited at Galerie Lelong, Fall 2002 – Winter 2003
Andy Goldsworthy; Slate arch/ made over two days/ fourth attempt; 1982; Blaenau Ffestiniog, Wales
Vija Celmins; To Fix the Image in Memory; 1977-82
Vija Celmins; To Fix the Image in Memory; 1977-82
Vija Celmins; To Fix the Image in Memory; 1977-82
Thomas Cooper; Rio Grande
Thomas Cooper; Pillar of Hercules
Thomas Cooper; Furthest South
Thomas Cooper; Furthest North
Doris Salcedo; Shibboleth (detail); 2007; Tate Modern
Doris Salcedo; Shibboleth (detail); 2007; Tate Modern
Doris Salcedo; Shibboleth (detail); 2007; Tate Modern
Doris Salcedo; Shibboleth (detail); 2007; Tate Modern
Doris Salcedo; Shibboleth (detail); 2007; Tate Modern
Doris Salcedo; Shibboleth (detail); 2007; Tate Modern
Doris Salcedo; Shibboleth (detail); 2007; Tate Modern
Doris Salcedo; Shibboleth (detail); 2007; Tate Modern
Doris Salcedo; Shibboleth (detail); 2007; Tate Modern
Doris Salcedo; Shibboleth (detail); 2007; Tate Modern
Doris Salcedo; Shibboleth (detail); 2007; Tate Modern
Richard Long; Spring Circle;
Richard Long; England 1968
Richard Long; Ireland Line; 1974
Richard Long; Turn Sculpture; 1967
Richard Long; Paddy Field, Chaff Cicrcle, Wahrli Tribal Land, India
Richard Long; A Line Made by Walking; 1967
Gerhard Richter; 834-1 Piz Lagrev; 1995; oil on canvas; Photographed by Larry Qualls
Gerhard Richter; 860-7 Abstraktes Bild; 1999; oil on aluminum; Photographed by Larry Qualls
Gerhard Richter; 860-6 Abstraktes Bild; 1999; oil on canvas; Photographed by Larry Qualls
Ged Quinn; God Knows Where This Is; 2004; oil on canvas
Ged Quinn; Things Are Exactly as They Seem; 2007; oil on canvas
Ged Quinn; The Ghost of a Mountain; 2005; oil on linen; 267 x 183 cm
Ged Quinn; The Height of the Vulgar Commonplace; 2007; oil on canvas; 22 x 183 cm
Ged Quinn; On Reaching the Heart of the Trackless Forest, Lancelot Lay Down and Soon Fell in to a Fathomless Reverie on What May Be Found Beyond The Limits of Realism and Mythical Thinking
Ged Quinn; Here is Not the Place for Nostalgia; 2007; oil on canvas; 183 x 329 cm
Ged Quinn; The Exiled Forever Coming in to Land; 2010; oil on canvas; 200 x 320 cm
Ged Quinn; The Fall; 2006; oil on linen; 183 x 250 cm